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Indeed the interface, with its signal processing/video manipulation functions does give it a studio feel. The right half of the interface is completely dedicate to such “studio” functions. VDMX replaces the basic timeline paradigm that is so standard in VJ software today with their innovative take on the real-time studio feel. However, and it must be said, for the non-professional the interface can be a little over-whelming; and even for the professional there is a little bit of a cluttered feel (make sure you have a fairly large screen to make it easier for yourself) and it can take a while to get used to the new paradigm.
Another important feature of VDMX and advantage being a Mac OS X application is that it can import Quartz Composer Composition and control it in real-time using VDMX controls. It also can use Quartz Composer Patches as plug-ins. And when it comes to Quartz Composer, you how innovative and creative it can be.
At $300 it is a better deal than some of the software we have already discussed, and it has a variety of add-ons for streamlining the interface and the rendering pipeline. You can save a particular setup (i.e. interface & rendering-pipeline combination) and load whichever setup is most desirable for your current activity.
The trial version only has saving disabled. Requires 1GHz or better CPU, Mac OSX 10.5.0/QuickTime 7.0.4 up, 512 MB RAM, and PCI Express or Intel Graphics Processor with at least 64 MB VRAM and OpenGL.
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