Fragmented Realities clip

Fragmented Realities clip from Suzie Hanna on Vimeo.

'Fragmented Realities': Experiments in Emily Dickinson's Poetry Through Music and Moving Image’ - Performance and Panel Discussion on 11 May 2022


Performers:
Dr Nicole Panizza, Coventry University https://www.nicolepanizza.com Piano performance
Dr Hannah Sanders, Professional singer and musician https://www.hannahbenmusic.com/bio Voice performance
Prof Suzie Hanna, Norwich University of the Arts www.suziehanna.com Visual Jamming animation performance
Dr Sally Bayley, Author, Tutor at Oxford University https://sallybayley.com Producer and Advisor


Norwich University of the Arts research group Created and Contested Territories is pleased to present an improvised, multi-disciplinary live performance which invites the audience to consider the authentic temporal experience of a day in the life of the American poet Emily Dickinson.
The content of the performance and workshop derives from Emily Dickinson’s poetic annotations and envelope writings, her daily domestic rituals, and the intimate sonic world in which she practised and performed music. Her accomplishment as a piano player involved repetitive practice of various études and finger exercises. Ballads that she sang would segue into the rhythm of her poetry and letters; the fragments themselves interpreted as micro-balladry, sung in snatches. Dickinson’s innate epigrammatic ethos created small windows into her daily observations, feelings and experience.
Responding to these miniature texts, the piece acts as an immersive venture into the poet’s process - and situates the female performer as a conduit for Dickinson’s seizing of moments for expression. Iterations of voice and piano are complemented by the ‘enactment’ of projected imagery; via contemporaneous sources, materials and techniques. Through the use of performance, improvisation, and visual experiment - where pianistic and vocal fragments from her music folio, and ‘textual snatches’ from her envelope poems are strategically de-constructed, re-constructed, and re-presented via VJ animation - there exists a ‘dwelling in possibility’ as new sonic, poetic and visual metaphors unfold.
Reading Emily Dickinson’s ‘envelope’ poems and ballad lyrics from her folio, workshop groups will create vocal work and a ‘re-framing’ of the material. Working with small textual and visual fragments, the attendees will make new ‘envelope’ poems of their own.