Max for Live

Arpeggio Heaven (Dan Grain / june74) from Fabrizio Poce on Vimeo.
Music: Dan Grain (http://www.dannydegraan.nl/)
Video: June74 (http://www.fabriziopoce.com/​)
Performed & computed in real-time using a self developed Max for Live (M4L) tool called V-Module (fabriziopoce.com/​max.html).
Fractals (ducks / julia) generated by GLSL shaders, several parameters manipulated through a MIDI controller in Live (juliaX/Y, colors), some modulated using Live's clip envelopes. Everything done within the Ableton Live / Max for Live environment.


Phthalo Blue (Dan Grain / june74) from Fabrizio Poce on Vimeo.
Music: Dan Grain (http://www.dannydegraan.nl/)
Video: June74 (http://www.fabriziopoce.com/)
Performed & computed in real-time using a self developed Max for Live (M4L) tool called V-Module (fabriziopoce.com/​max.html).
Audio from Live drives vertex generation of objects and volumes. Render-to-texture feedback used to create a "mirror" effect. Position and rotation in space, colors and "scene" groups controlled in real-time through Live (clip envelopes and MIDI).


Are you in control? (Dan Grain / june74) from Fabrizio Poce on Vimeo.
Music: Dan Grain (http://www.dannydegraan.nl)
Video: June74 (http://www.fabriziopoce.com)
Performed & computed in real-time using a self developed Max for Live (M4L) tool called V-Module (fabriziopoce.com/​max.html).
Audio drives cubes scale distortions and vertex generation. Everything is done within Ableton Live / Max for Live.